Skip to the poem.
All right, so it doesn't have a title. It's been referred to as 'that gods-be poem' and 'the poem in dactylic octameter' for forever.
Thusly called because of the rhythm pattern. I don't normally write rhymed poems other than pattern-poems, and certainly not in dactylic octameter.
This is a love poem. It is a love poem for two men. Aside from that, no explanations.
I have drunk deep of the broadest of rivers, the deepest and
And I've been drawn to the clearest of streams, a great rushing of
In passing I've thought on the paths I've discarded, and found that
the
I have been told that existence is boating, a coracle drifting,
What is the difference 'tween sunlight and starlight, 'tween
Where lies the mark between evening and morning, or
How can I separate light out from shadow? Though why would I rob me
The shape of the pattern is forged in its difference; the ends and
Felt the caress of the slightest of breezes, the warmest
Seen the bright scales of the dragon in motion, his eyes
Touched the rich fur of my lion of noondays, curled
Heard the approach of the rumble of thunder and not
Strong though the current be, forceful the storm, I take
Patiently waiting, to brush through the river-fog
I've half-drowned in currents too vast to imagine, and touched at the
Seen shadows and lights of a time unremembered swirled deeper than
Reached out to caress a sonata incarnate, a dream with a purpose, a
And rocks that are hardships, and slipstreams and eddies, send
But /I'll/ raise my sail to catch breezes and storm-winds, sleep
I've learned from meandering that new lands have beauty, and maps